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Jamaica Music Countdown Charts by Richard “Richie B” Burgess

Apr. 21 – 27, 2017

Top 25 Dance Hall Singles:
01. Alkaline – Death To Microwave [Chimney Records]
02. Sean Paul feat. Dua Lipa – No Lie [Island Records]
03. Harry Toddler feat. Ikel – Middle East [Downsound Records]
04. Ed Sheeran – Shape Of You [Asylum Records]
05. Ding Dong feat. Bravo Ravers – Yeng Yeng [Dunwell Productions]
06. Bugle feat. Shaggy – Ganja [An9ted]
07. Hawkeye – Champion Jockey [Gafjam Records]
08. Style X – Me Love My Fatty [Claims Records]
09. Sean Paul feat. Tory Lanz – Tek Weh Yuh Heart [SPJ / Island Records]
10. Sean Kingston feat. Vybz Kartel – Chance [Deluga Heights / Epic Records]
11. Vybz Kartel – Who Trouble Dem [Good Good Productions]
12. Savage Savo – Jiggle Likkle [Yellow Moon Records]
13. Konshens – Gal Dem Sugar [Subkonshus / Hit Groves Music]
14. Shenseea – Jiggle Jiggle [Romeich Entertainment]
15. Naughty Boy feat. Kyla & Popcaan – Should’ve Been Me [Virgin / EMI Records]
16. Alkaline – Son Of A Queen [Chimney Records]
17. Damion ‘Jnr Gong’ Marley – Roar Fi A Cause [Ghetto Youths International]
18. Aidonia – Banga [4th Genna Music / J1 Productions]
19. Spice – Sheet [True Blue Music]
20. Mavado – Dirt Nap [Yellow Moon Records]
21. Desperado aka Prado – Money Bag [KRC Music Ja]
22. Cham – Money Wine [Madhouse Records]
23. Vybz Kartel & Masicka – Infrared [TJ Records]
24. Danielle DI – Round A Back [BMT Records]
25. Denyque – Proud Wifey [Good Good Productions]

Top 25 Reggae Singles:
01. Christopher Martin – Magic [VP Records]
02. Chronixx – Queen Majesty [No Choice Records]
03. Biggaton – Selfie [Imihotep C Records]
04. Tarrus Riley – No Hypocrites Allowed [Truck Back Records]
05. Queen Ifrica feat. Damion ‘Jnr Gong’ Marley – Trueversation [VP Records]
06. Gyptian – You’ve Got A Way [YVP Records] ←
07. Hezron – Taxi Driver [Stone Love Music]
08. Protoje – Blood Money [Mr Bongo]
09. Dexta Daps – F*ck U Mean [Daseca Production]
10. Skip Marley – Lions [Tuff Gong International]
11. Sophia Squire – Love & Conflict [Global Flex Music]
12. Christopher Martin – Stop Violence Against Women [Seanizzle]
13. Raging Fyah – Dash Wata [Dub Rockers]
14. Chronixx – Likes [Soul Circle Music]
15. Live Wyya feat. Capleton – Cold Blooded Murderer [Street Tuff Records]
16. Samory I – Rasta Nuh Gangsta [Rory Stone Love / Black Dub Music]
17. Richie Stephens – Let’s Dance [Steely / Clevie Production]
18. Morgan Heritage – Reggae Night [CTBC Music Group]
19. K’Coneil – Loving You Right [Gedeon Soldiers]
20. Sasha Dias – Borrowed Time [LTK 20 / Heavy Beat Records]
21. Etana – How Long [VP Records]
22. Chezidek – Journey [Oneness Records]
23. Tarrus Riley – Just The Way You Are [DJ Frass Records]
24. Elliven – New Day [NAP Musiq Productions] ← @NEW
25. Assassin aka Agent Sasco feat. Cocoa Tea & Richie Spice – Daily News [Digital B] ← @NEW

(Then) My mother & stepdad 1964 (Roy & Yvonne - Two roads before you)

(Now) My mother & stepdad 2017 (Roy & Yvonne - When its right)

Coming Soon! 

Uk Offical Reggae count down every Saturday 4 pm EST.

The English Connection Media Welcomes Richard Weir.

The StoneWeir show every sunday 10pm E.S.T.

Di Riddim Sweet TV show aired 18 Dec 16 featuring our Lady English and her Fountain Pimento Oil Co.


The future of Internet radio world wide
Published: 21 January 2017 08:37 PM
Kim Phillips
There is a contest underway in Denton. The popular online blog The Dentonite will present the first-ever DAM (Denton Arts and Music) awards to the winners at the Campus Theatre on Feb. 11.One of the contest categories is Best Radio Station, in which there are three competing stations:, KNTU 88.1 FM and Real Waves 1670 AM.The Denton Convention & Visitors Bureau is honored to be nominated among Denton’s best and covets your vote for our all-local station. That said, consider the lineup. Three stations in three different modes of radio delivery: online, FM and AM.

Until recently, an online radio station would not have made the cut in Denton or anywhere else in America.When launched in 2012, it was cutting edge and largely misunderstood. Online radio was just emerging as a viable listening option among the masses.People often asked us where on the dial to find, eyes glazing over when we replied with a URL rather than traditional FM or AM frequencies.According to, however, internet radio now is the fastest-growing segment of radio-listening options.

Radio is changing.On Jan. 11, Norway became the first country in the world to begin the shutdown of FM radio and switch to all-digital. It’ll take a year for the transition to be complete across that nation, but by this December, traditional radio will be no more in Norway.A Jan. 6 CNN column by Alanna Petroff said after 10 years of government planning, “the Nordic country is switching from FM to digital radio — called DAB — because the digital option offers more channels, better audio quality and savings for broadcasters.”Another column, this one on Public Radio International, or PRI, on Jan. 11, stated Norway authorities say digital makes it easier to broadcast emergency messages in times of crisis.

The same day, Henrik Pryser Libell reported in The New York Times that Norway’s Culture Ministry estimates the changeover will save about $25 million per year.Not all Norwegians are happy, and there are skeptics worried about the cost to consumers, noted repeatedly in news about the country’s giant technological leap forward. You see, digital radio uses a digital signal rather than airwaves to transmit content requiring that listeners have a digital radio receiver.The old radios won’t work anymore. Remember a few years ago when we all had to purchase new televisions or get the required adapter box for America’s big analog-to-digital TV switch? Norway is experiencing the radio version of that.Doubts aside, the rest of the world is watching, especially in Europe where PRI says Switzerland, Denmark and Britain in particular plan to shut down FM radio broadcasts.Which brings me to Australia. Digital and internet radio have existed with equal popularity alongside FM and AM in that country for many years.

Recently, though, reports the Australian Department of Communications is recommending internet over digital radio after an efficiency review concluded online and mobile listening alternatives offered significant savings over digital in the long run.Don’t panic. FM in America still is king of the hill and far from going away. But online and digital radio audiences are broadening, a trend going only upward.Way off in the future, a decade at minimum says the research, America likely will follow the rest of the world’s radio lead.Australia’s director of communications thinks internet radio’s advantages will win over digital when the fate of the airwaves down under finally is decided. Internet radio just like our own, once a wild, visionary dream, is emerging now as radio’s new normal.

In March, had 479 radio sessions, similar in analytical meaning to the number of unique users on a website.In December, nine months later, 7,835 radio sessions marked a 1,635 percent increase in listenership for the year. We attribute part of the dramatic gain to our Facebook Live broadcasts that accompany our live-on-the-air, in-studio shows. For instance, the 7,835 December radio sessions were just a sub-group of a 42,657-large audience that month who tuned in via their Facebook feeds.

In less than a year, our handful of listeners has grown to nearly 190,000.The growth is more than Facebook, though. We believe a new era of radio has dawned.“The best is yet to come,” says manager Jake Laughlin. “We are continuing to explore new and exciting forms of internet and digital media to spread the original and independent sounds of Denton.”KIM PHILLIPS is vice president of the Denton Convention & Visitors Bureau at the Denton Chamber of Commerce. She loves promoting Denton’s original, independent spirit through the city’s sense of place and cast of many characters. She can be reached at

The Story Behind Tun it up Radio

Exposing music the ‘Wright’ way

Marlon Wright at his TUN-IT-UP Radio base in Stony Point, New York.The independent record company is synonymous with the success of reggae, especially its underground artistes. Marlon Wright, head of Cyber-Leaf Entertainment, is determined to continue that trend.This has been the most productive year for the label Wright started in 2008. It has released songs and videos by roots artistes Iya Ingi, Derajah, Jamaican Carlos and Richie Innocent.Wright met those artistes through them sending their songs to TUN-IT-UP Radio, a cloud-based radio station he started five years ago in Stony Point, New York.For the Westmoreland-born Wright, it’s all positive for label and station.“When an artiste sends me a song for airplay, I listen to the words and make my determination. If the music is slack, out of order, or disrespectful of any nature, I usually delete it. But once it’s positive and clean, I keep it and provide the artiste with feedback,” he told the Jamaica Observer.Iya Ingi’s Foundation, Jamaican Carlos’s Influence, Hills Mi Deh by Richie Innocent, and Show Love, a collaboration between Iya Ingi and Derajah, fit that format.Cyber-Leaf Entertainment has released videos for each song. The company is doing the same for singer Rad Dixon’s Make It Right, scheduled for release in a matter of days.Though not household names in Jamaica, Richie Innocent and Derajah have been recording for some time. The latter has toured France several times and performed throughout Brazil.According to Wright, Cyber-Leaf Entertainment’s objective is to give them exposure they do not receive in Jamaica.“The primary focus of my company is to help people achieve their dreams, especially those in the reggae community, by providing them with the material needed to be successful — to include flyers, music videos, radio airplay, and any promotion they need to get their message out to the public,” he said.Wright, 40, migrated to the United States in 1988 and served in the army. Eight years ago, he got involved in broadcasting.

In addition to Dixon’s song, Cyber-Leaf Entertainment will release songs and videos by Derajah and singjay Sledge in early 2017.

— Howard Campbell


December 14, 2016 
Sting, regarded as the most prestigious dancehall show worldwide since its inception in 1983, will not be held in 2016, according to show organizers, Supreme Promotions.?Speculation surrounding the possible staging of Sting 2016 had intensified in recent weeks as there was little promotion, no activity on the shows social media pages and no annual launch event. With Boxing Day – Sting’s annual stage date – less than two weeks away, Supreme Promotions head Isaiah Laing and manager/booking agent Junior ‘Heavy D’ Fraser confirmed to CVM OnStage on Tuesday that the show is indeed off.?According to both men, the lack of headline acts available have hurt the chances of putting together a proper show.?“Last two, three years, the headline (artist) is just never there to me, so there was no crowd” Fraser said. “Since Kartel gone, the headline move….yes you will have 50 artistes to work, but if you don’t have two (main ones), the 48 don’t count. The ones who are hot now are not interested.” “Sting was not built up like this,” Laing said. “Over the years when you come to Sting, you find the hottest artistes. You have 20 or 30 artistes that are really pulling crowds, that’s not happening any more. You have to depend on three or four artistes now, it cannot work.” ?Laing revealed that Supreme Promotions has not made a profit from the show since 2008, the year Vybz Kartel and Mavado clashed each other. He and Heavy D conceded that it has become difficult to book artistes of repute as they have turned it down either over financial disagreements or receiving overseas shows. Additionally, sponsorship has been lacking, making it even more difficult to fund the show.

?However, Laing believes a lot of artistes are intimidated by the Sting crowd because of its reputation for being tough on performers, at times throwing bottles and other projectiles on stage when displeased with a set.?“It is known worldwide that Sting is the hardest audience to please cause if you put your wrong foot forward from the first song out of your mouth, you get the boo or the bottle,” Laing said. He also chastised sponsors for not catering to the largely middle and lower class fan base.?As for the future of the Sting show, Laing said the show as we know it is dead, but will be revamped in an international format. The show will be rebranded in 2017 featuring artistes in dancehall, reggae and several other genres, with a premiere in London slated for next summer.?There also are talks to host a gospel version of Sting in the near future.?This year, Supreme Promotions will award various entertainers who have contributed to the show’s growth over its 33 year existence, including Bounty Killer, Beenie Man, Ninja Man, Marion Hall (formerly Lady Saw) and more.


Dancehall star, Devin Di Dakta and emerging singer, JL have made history as the youngest ever Jamaicans to be nominated for music’s highest honour as the duo are up for the Best Reggae Album award at the 59th Grammy Awards.

When Grammy nominations were officially announced on December 6, the duo’s debut EP, Reggae For Her produced by legendary hit makers and previous Grammy winners, Sly and Robbie was named among five contenders for the honour. They will go up against six-time reggae Grammy winner, Ziggy Marley for his self-titled album, Raging Fyah for Everlasting and two American acts: J Boog for Rose Petals and Rebelution for Falling Into Place.

Released in late September, Reggae For Her is an eight-track EP which features singles such as Ayo Ayo, Safe Havenand Jenell. The compilation is being distributed by Tuff Gong International and also released by Taxi Records.

It is a huge achievement for both acts, who are managed by long-time marketer and public relations specialist, Shelly-Ann Curran, who is elated by the news and has stated her intention to walk the Grammy red carpet. For Devin, news of the nomination comes a day after his 21st birthday.

Additionally, this is the first time that prominent Jamaican talent shows, Magnum Kings and Queens of Dancehall and Digicel Rising Stars can boast of having former contestants earning such acclaim. Devin Di Dakta was crowned Magnum King in 2015 while J.L. reached the final round of Rising Stars the year prior.

The 59th Grammy Awards will be held at The Staples Center in Los Angeles on February 12, 2017.

History of Reggae Music

When you think of Reggae music, the first name that comes to mind is Bob Marley. Even though we first met Bob Marley in the 70s, the name still lingers to this day, because he was the man who turned Jamaican Reggae music into an international phenomenon, and with the help of a few others along the way established reggae as a worldwide genre of music.Reggae was an evolution of what had been happening in Jamaican music, and was the next evolutionary step up from the other types of Jamaican music that had been enjoyed before it. These styles were Ska, and rock steady. From the classic,  we present you with a very brief outline of Reggae Music:

In the beginning

Reggae music History began with Jazz. As Jazz swept across the globe with the help of radio broadcasts and records in the 1940s, Jamaica was not immune to the fever and bands began to spring up everywhere to entertain the tourists. Names like trombonist Don Drummond, and sax player Tommy McCook began their careers. In the 50s Jazz, Bebop become the new rage and Jazz orchestras began to fade in favor of a new youthful type of music, the rage spread all over the world including to Jamaica.

Jamaica first recording studio started in 1951.Thats when Mento Music was recorded. The first record label started in the 1954 by Ken Khouri with his Federal Records Label.  When there was a lack of R&B releases, Edward Sega, the man who was to become Prime Minister of Jamaica, was first known as the founder of a company called WIRL, or West Indian Records Limited, this company began releasing the work of local artists. Many more recorders began to follow suit, once the pressing plants were established on the island, the Jamaican recording industry was born.

By the 1960s Ska was the first unique style of music developed by the Jamaicans, giving them their own identity. This was a welcome hange for Jamaicans who were finding that their versions of R&B didn’t have the same appeal as the originals.Prince Buster is believed to be the founding father of Ska, when he set up a record production and in one session created 13 songs for his new label Wild Bells. Prince Buster had asked Derrick Morgan to come and sing, and the 13 songs all turned out to be hits. Over the course of the 13-song session, they found something new, by melding the rhythm of traditional Mento music, and adding R&B, they changed Jamaican music history.

The crowds loved the new music, and the new music fitted in with the mood of the times, especially with Jamaica receiving independence. The people were glad to embrace anything that was unique to Jamaica. Ska was made by the working class Jamaicans, and told their stories. The other record makers followed suit, in order to compete with Prince Buster.Ska made a debut in America but was unsuccessful, but it did make an impact on Britain, after the war many Jamaicans had gone to work in Britain to help rebuild it, and brought along Ska. Rude boys made their entrance into the working class Jamaican underground scene in Britain, and they were the generation that changed the music to suit them, the result, rock steady.

Rock Steady Music
The Jamaican people embraced Rock steady music, especially after one particular hot summer. The slowed down form of Ska meant that people didn’t have to exert so much energy, so they could stay on the dance floor for longer. Rock steady also took off in Britain and was embraced by the skinheads of that time.

Reggae is a term that was coined sometime close to 1960. Derived from rege-rege, a Jamaican phrase meaning “rags or ragged clothing,” it is used to denote a raggedy style of music that grew up in Jamaica around that time.

Reggae is a genre of music that has its roots in a number of other musical styles. It incorporates influences from Jamaican music (both traditional Mento and contemporary Ska), as well as American Rhythm & Blues, which was broadcast from high-powered stations in New Orleans and Florida in the early days of radio, and could be easily picked up in Jamaica. Reggae’s closest musical relations are Ska and Rocksteady, popular in Jamaica during the 1950s and early 1960s. Reggae evolved from these other genres, really coming into its own later that decade.

Reggae shares many characteristics with Ska, such as a walking bass line with guitar and piano off-beats, but Ska is faster paced and also tends to incorporates jazz-influenced horn riffs. The genre was lauded by Jamaican youths around the time that the nation gained independence in 1962. Rocksteady slowed the Ska tempo right down. Played by smaller bands, it also used more syncopated bass patterns. This style is very close to Reggae and the dividing line between Rocksteady and early Reggae is not always easily distinguishable.

Reggae music is recognizable thanks to its heavy backbeated rhythm. This means, for example, that the second and fourth beat would be emphasized when playing in 4/4 time. This is very typical of African-based musical genres, though uncommon in traditional forms of Asian or European music. Reggae also tends to use “double skank” guitar strokes on the offbeat, and lyrics often center on more socio-political themes.

Early reggae music had lyrics consistent in theme with its predecessor, Rocksteady, with songs often focusing on topics such as love. As the genre found its feet in the 70s though, it evolved in line with the Rastafarian movement that was sweeping Jamaica at the time, and lyrics of Reggae songs quickly developed a more socio-political or religious bent.

Many of the words used in reggae songs are incomprehensible to US and UK English speakers, as they are taken from traditional Jamaican patois or refer to Rastafarian concepts – for example Jah, meaning God. There is heavy use of Jamaican slang, a common example being Ganja, meaning marijuana. Cannabis is smoked as sacrament in the Rastafarian faith, as Rastafarians believe that smoking marijuana allows them to experience a closeness to God. This message in the songs has been open to much misinterpretation, particularly by American youth who have used this as an excuse to “get high.”

Reggae began to rise to international acclaim as the 1970s progressed. A seminal moment for the genre was the release of the 1973 movie The Harder They Come. The film reached a global audience and told the story of a young man making his way in urban Jamaica. Most importantly though, it had a soundtrack that consisted entirely of reggae hits, which helped elevate Reggae music to the mainstream. Of particular influence was the popular song You Can Get It if You Really Want by Jimmy Cliff that was featured on the soundtrack.

Of course, Bob Marley is the world’s best known and loved international Reggae ambassador. Marley’s career spanned more than a decade, beginning in 1963 with Rocksteady band, the Wailers, and culminating in the release of his 1977 solo album, Exodus, which achieved international acclaim. Marley was not only a Reggae singer, but a committed Rastafarian and a political activist. Through his music, his words and his actions, he earned forever a place in Reggae fans hearts around the world. Marley’s music was first popularized in the Wes by Eric Clapton performing a cover of Who Shot the Sheriff.

Since the 60s and 70s, Reggae music has spread and developed in many different ways around the world. This distinctive style was the precursor to modern Jamaican style Dub, as well as British bands, such as UB40, The Reggaskas; American Ska groups, such as Reel big Fish, Sublime and No Doubt; Jambands, such as the String cheese Incident; and even Rap and Hip-Hop. Of course, Reggae is still going strong in its pure form around the world too, with many modern Reggae bands achieving success in the mainstream